That bass is so robust and relevant in this song (definitely on top of the guitar), just like in KZK, SS, Mellow and many more. It makes me wonder whether she writes the bass lines and distortion/texture hersef or it's all up to Kameda. Guitar work now strongly reminds me of Ariamaru Tomi, especially the ending part.
I still think she could have added a nice bridge somewhere. It ends up being a bit short to my ears.
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