Originally Posted by zeroryouko
Kusari sounds to me like something from the mid-Jihen era; Mayakashi no Blues would have been right at home on Sanmon Gossip. At risk of starting some controversy, I would argue that Shihatsu Mae no Dance Hall (currently my favorite track) is Hamada's answer to Marunouchi Sadistic.
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Miren Butterfly is also better as a pulse-pounding leadoff than what Shiina had on Sunny and Reimports, by a country mile.