Originally Posted by deadgrandma
But why does the production on Reimport sound like like it's character, whereas on Sunny it's it's worst element?
Maybe it's just more offensive cause I know some of them old songs on Sunny exist without being so muddy and loud- Carnation's single mix for example.
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*shrug* I don't know. It doesn't sound all that different from SG or HF to me. Just about any problem with the production of Sunny can be applied to those albums as well. I don't agree with it being character with Reimport just because it's one of the only albums I can't listen to for more than a couple of tracks (the other being Californication by RHCP).
Originally Posted by Maou
I feel like she tacked on Ariamaru Tomi just to make sure the album ended well after those two songs.
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Originally Posted by Carlx
Adding ありあまる富 there feels like a last-dich effort, and it's disrespectful to such a classic.
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Ha, similar thoughts, but I don't feel as strongly as you. I don't find it disrespectful, but I do find it foolish to finish an album with a five and a half year old song that was used as promotion for the previous album. I would have preferred another new track to serve as the closer.
Edit: Also, I stand corrected on the guitar work. Yukio Nagoshi played on Arikitarina Onna and not Ukigumo.