Aww, this thread's perfect.
Definitely agree with Kinjirareta Asobi. Exactly what you said. Before, it was like a sterile Jusui Negai, or something from that era. Then in the Harbour concert and Expo, she starts singing it in an anxious, panicky way that validates it in its own right.
There are so many examples of this that I can't remember. Season Sayonara, BB Queen, Ikiru, where vocally she pushes the song to its absolute limit. FOUL for the whole band. Sake to Geko. Most of Sports. All of Kyouiku Byoushou Public in Zazen Ecstasy. Doppelganger was a cool song, until it became a force to be reckoned with in Electric Mole. I'll probably post more in the future because I can't think of them now.
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