Originally Posted by TurtleFu
I love Baishou Extasy Poltergeist. Poltergeist, at its heart, is a waltz, and the waltz arrangement given to it by Saitou made it very classical. The whole thing fit together very well. I don't think Poltergeist is a rock song, so the Suguroku version seemed odd to me.
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The Electric Mole version of Poltergeist was pure jazz. It and Mr. Wonderful were the most jazz any version of Tokyo Jihen has ever been so I have no idea where this "rock" stuff is coming from.
I like the Zazen version and the Phase 1 surf version of Tsumiki Asobi way better than the original. Much more character than the original which is one of my least favorite tracks on the album.