you will probably get less shock going from KZK to Heisei Fuuzoku, since most of the album are KZK works rearranged for a full orchestra combined with a handful of new tracks, Hatsuo Shoujo being the standout. It definitely is a surprising and new way to listen to the KZK songs. For us seasoned fans, by the time that album, Heisei Fuuzoku, was released, we had already heard the orchestra versions of those songs beat to death in so many live performances that it kind of left a bitter taste in our mouths. It was also billed as her true return to solo music, but that was just a marketing ploy, because now that she is releasing an actual solo record again, they are saying it is her 4th solo album. HF was a collaboration with double billing between her and the head of the orchestra, who arranged the tracks, Saito Neko.
After that, I'd say you would best move backward, to Shouso Strip, and from there to her debut, Muzai Moratorium. Muzai Moratorium is bound to be underwhelming moving from KZK or HF to it, as it really contains a lot of folk pop rock, but full of Ringo's early signature eccentric trademarks in her music. It is a very good album, but going from KZK to MM would be like eating spicey indian curry and then attemping watermelon. Your senses are still blown from the KZK experience, you need to allow them to readjust to appreciate the other earlier work for their own attributes.
Shouso Strip is like the bridge between MM and KZK, so I'd say for sake of easy digestion, to start with Heisei Fuuzoku, then go to Shouso Strip, followed by Muzai Moratorium.
then if your still with us you can tackle the TJ releases. XD
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