Really? I can hear impressive flourishes and strings in irohanihoheto, and guitar (especially in kodoku no akatsuki) but in the latter, it sounds like a weird jump in key. maybe the final chorus could have followed that sort of idea. I just can't seem to wrap my brain around that yet. kna sounds very reminiscent of Tokyo Jihen. I'm wasn't ever that much in love with their work.
Also, at first I loathed her autotuning in the other version of kna, but now im very curious to hear it in full.
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