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2011.05.09, 08:07 PM | #31 |
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Quoted for emphasis.
I cannot believe Innoue Uni continues to work with Tokyo Jihen. SS and KZK are a sound world apart from any thing since (and I mean from a production standpoint here) so much so that I can't believe he (?) has any say in anything Tokyo Jihen does. I can't listen to "Kyogen-sho" and then listen to "Sake to Geko" and willingly accept they share a common producer. I know nothing about this guy (?) so someone please enlighten me. * I am assuming wikipedia is correct in saying Uni produces TJ's albums.
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2011.05.09, 08:34 PM | #32 |
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Maybe it's intentional that TJ and SR production are different
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2011.05.09, 09:15 PM | #33 |
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In all the years EMF has existed, people always bring up "it's intentional" for a number of different things. Of course it's intentional, but it doesn't mean it is always the right call.
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2011.05.09, 10:28 PM | #34 |
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Well, just saying, different band, different album, different sound.
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2011.05.10, 06:56 AM | #35 |
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Unless you really think TJ songs benefit from flat stale, predictable, production (compared to a range we get with, say, SS) then I don't know what to tell you.
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2011.05.10, 09:31 PM | #36 |
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It's interesting how the new fans always feel like it's their fiduciary duty to defend the music of Shiina 2.0 and TJ 2.0
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2011.05.10, 09:58 PM | #37 |
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As was said in another thread, new fans didn't go through the heart break and ingrain the same expectations as older fans.
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2011.05.11, 01:54 PM | #38 |
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New fans think old fans are cynical Debbie downers. Old fans think new fans are naive and unrefined.
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2011.05.11, 02:17 PM | #39 | |
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Also, between Kameda, Ringo and Inoue do Variety/Sports not have the same ingredients as SS and KZK production-wise? So if there's a problem, it can't be anything but choice, even if it's a bad one. |
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2011.05.11, 02:31 PM | #40 | |
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Not exactly. The fact that they share ideas and decisions through email instead of in the studio together is a major problem.
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